McQueen comes home to happy, dark place at London fashion week
Brand returns to its physical and unconventional roots as it battles undergoes stark restructuring Back when a young Lee McQueen was showing at London fashion week, there was Dante, the show in a Hawksmoor church with a skeleton in the front row and a blaring soundtrack of organ music and gunfire. And there was Voss, where models were trapped inside a giant mirrored box set up as a psychiatric ward. Twenty-five years later, the Alexander McQueen brand returned from the Paris schedule to a creepily beautiful subterranean 17th century London chapel, with steel harnesses, bulky ankle strapped heels that looked like electronic monitoring tags, and a chain mail dress of tiny silver skulls. Continue reading...
The Guardian•Jess Cartner-Morley21 Sept
