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Grand Theft Auto VI is a phenomenon – but there is much more to the gaming world

As Rockstar’s blockbuster prepares to dominate the headlines, it’s time for the mainstream media to stop treating video games as a novelty that needs explaining Predictably, the Grand Theft Auto VI “extended look” which premiered on Netflix last week was a success for all involved. The 30-minute preview scorched to No 1 on the viewing chart and even brought the site down for a few minutes as millions of gamers tried to watch what was, effectively, a very long teaser trailer. According to data collated by Eurogamer , more than 9,000 Twitch streamers covered the show leading to 5,227,798 hours of viewing there alone. And this was just the beginning of what will surely be two months of escalating hype – and unprecedented media attention. Call me cynical, but I suspect the coverage of GTA VI in the media over the next few weeks will follow a familiar pattern. Mostly, it will be five-minute slots wedged in near the end of news bulletins in which games journalists, industry analysts and other pundits will be asked why the game is such a big deal, how much it cost to make and how much revenue it will generate. Perhaps a few will try to reignite the hoary old “violence in video games” debate, there will be presenters laughingly admitting they’ve not touched a game since Pac-Man, rolling their eyes and wallowing in their ignorance, in a way they never would while discussing any other art form. Somebody will venture the subversive view that “games are no longer just for kids”; somebody else will say “games make more money than films and music put together”. And that will be that, job done for another decade … or until there’s a funny story about Pokémon. Continue reading...

The GuardianThe GuardianKeith Stuart2 Sept

The Guide #257: What we lose when a medium ​built for the ear surrender​s to the camera

In this week’s newsletter: As platforms chase ​s​ubscribers, podcasts are losing their off‑screen charm​, leaving listeners to wonder whether the intimacy of audio can survive the studio lights • Don’t get The Guide delivered to your inbox? Sign up here This has been the year that podcasting properly, unapologetically “ pivoted to video ”. Yes, it’s been a progression that has been in the making for quite a while, arguably ever since Joe Rogan first trained a webcam at himself and whichever guest he was smoking weed with in his studio back in 2009 – but in 2026 the medium’s transformation from purely aural to audio/visual (often with more of an emphasis on the visual) is truly complete. In January, Netflix started broadcasting video versions of popular podcasts from The Ringer, iHeartMedia, Barstool and more, as well as continuing to make video pods of their own. That landgrab was a slightly desperate response to YouTube’s phenomenal success with visualised pods; after becoming the preferred podcast platform for most Americans in 2024, it managed the same feat in the UK in 2026 , overtaking Spotify. No wonder, then, that Spotify has – as part of a wider push to get people sticking to its platform for pods – continued to bolster viewing capabilities for its own pods too. Continue reading...

The GuardianThe GuardianGwilym Mumford22 Aug

Report: Kalshi Accuses Netflix of Defamation Over Trailer for New Prediction Markets Film

Prediction market operator Kalshi sent Netflix a cease and desist letter on July 24, 2026, accusing the streaming company of defamation over the trailer for its upcoming documentary “Instadocs: The Prediction Games.” The document didn’t stay under wraps for long. CNN and The Hollywood Reporter were among the outlets that obtained it directly. Kalshi wants […]

Bitcoin.com NewsBitcoin.com NewsJamie Redman25 Jul