John Maynard Keynes

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French driver Isack Hadjar to remain at Red Bull in 2027

BAKU: Frenchman Isack Hadjar will continue to drive alongside four-time world champion Max Verstappen in ‌an unchanged line-up at Red Bull next season, the Formula One team said on Wednesday. The 21-year-old, who stepped up to the championship-winning team this year after an impressive debut season with Racing Bulls, has ⁠scored points in 8 of the 11 races he has taken part in, including a third-place finish in Monaco. Hadjar, eighth in the overall standings ‌with 71 points, missed the last three races with a wrist injury but is set to make his ‌comeback at this weekend's Azerbaijan Grand Prix. "We're ‌very excited to continue our journey with Isack," ‌said team principal Laurent ‌Mekies in a statement. "Since joining us at the start of the year, he has ‌been superb on and off track, especially ⁠considering this is only his second Formula One season, which made extending his contract an easy decision." Hadjar's contract extension ⁠comes after ⁠Red Bull agreed a new deal with Verstappen last month. The Dutchman is set to stay at the ⁠Milton Keynes-based outfit until the end of 2030. "From the moment I signed, I set out to dedicate myself to the team, and with the support of Laurent and everyone in Milton Keynes, I've ‌been able to justify the faith they've had in me," said Hadjar. "I'm constantly looking to listen, learn and push myself further every single day, which only makes me more excited about what lies ahead," he added.

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French driver Isack Hadjar to remain at Red Bull in 2027

BAKU: Frenchman Isack Hadjar will continue to drive alongside four-time world champion Max Verstappen in ‌an unchanged line-up at Red Bull next season, the Formula One team said on Wednesday. The 21-year-old, who stepped up to the championship-winning team this year after an impressive debut season with Racing Bulls, has ⁠scored points in 8 of the 11 races he has taken part in, including a third-place finish in Monaco. Hadjar, eighth in the overall standings ‌with 71 points, missed the last three races with a wrist injury but is set to make his ‌comeback at this weekend's Azerbaijan Grand Prix. "We're ‌very excited to continue our journey with Isack," ‌said team principal Laurent ‌Mekies in a statement. "Since joining us at the start of the year, he has ‌been superb on and off track, especially ⁠considering this is only his second Formula One season, which made extending his contract an easy decision." Hadjar's contract extension ⁠comes after ⁠Red Bull agreed a new deal with Verstappen last month. The Dutchman is set to stay at the ⁠Milton Keynes-based outfit until the end of 2030. "From the moment I signed, I set out to dedicate myself to the team, and with the support of Laurent and everyone in Milton Keynes, I've ‌been able to justify the faith they've had in me," said Hadjar. "I'm constantly looking to listen, learn and push myself further every single day, which only makes me more excited about what lies ahead," he added.

MBMobile BusinessReuters6h ago
  • favorable toward Isack Hadjar · 90%

The Guardian view on Keynes in the West End: James Graham’s latest play captures the zeitgeist | Editorial

As the chancellor, John Healey, ponders options ahead of his first budget, the playwright’s new work offers lessons from the past Still only 44, James Graham has become a formidable chronicler of our national story. On themes such as the rise of Rupert Murdoch , social upheaval in post-industrial Britain and the neuroses of the England men’s football team, the playwright and screenwriter has made it his vocation to read the signs of our times and write them up for the stage. Graham’s new play goes a bit further back in history, but its subject matter is characteristically of the moment. Opening this week in the West End, The Standard of Living offers a portrait of the sentimental and intellectual passions of John Maynard Keynes (played by Rory Kinnear), as the great economist makes his name between the first and second world wars. As Keynes rails against the laissez-faire ethos of the age, he seeks to devise a theory of growth that justifies state intervention on people’s behalf in the wake of the Great Depression. Do you have an opinion on the issues raised in this article? If you would like to submit a response of up to 300 words by email to be considered for publication in our letters section, please click here . Continue reading...

The GuardianThe GuardianEditorial22 Sept
  • favorable toward The Guardian · 98%

‘I cried. I shook’: Royal Ballet’s Natalia Osipova on making her fearsome, foul-mouthed acting debut

Osipova plays the wife of formerly gay economist John Maynard Keynes in a new play. The ballerina talks about the allure of her Russian character, dismissed as a ‘frivolous, foghorn of a chorus girl’ When Natalia Osipova started rehearsals for her first ever play, it didn’t go well. “I cry. I’m shaking. I’m stressed and completely lost on the first day,” she reports. “I think, ‘I’m a piece of shit!’ I want to take a taxi and run away.” It’s the second week of rehearsals when we meet, and Osipova is still here. The Royal Ballet principal plays a Russian ballerina from a previous age: Lydia Lopokova , who danced with Diaghilev’s Ballets Russes, then in 1925 unexpectedly married British economist John Maynard Keynes, who is the protagonist of James Graham’s The Standard of Living – a play about, among other things, taking risks and imagining a brave new future. Acting is central to ballet’s appeal for Osipova. “Maybe I’ll never be super perfect for classical ballet because I love stories so much,” she says. Even so, she demurred when former colleague Edward Watson suggested she audition. “You’re stupid!” was his retort. “You need to try because it’s amazing opportunity.” A delicate silver necklace shines beneath frank brown eyes. Osipova requested a translator in our previous interviews, but today speaks in an idiosyncratic gallop not unlike Lopokova’s own. Entering Nicholas Hytner’s rehearsal room, joining a classy cast led by Rory Kinnear, she felt like Lydia among Keynes’s sneery Bloomsbury friends. “I left rehearsal and cried,” she says, “because I feel, ‘Oh my god, I’m so bad.’ But you learn and listen and every day, step by step, I do better.” Continue reading...

The GuardianThe GuardianDavid Jays22 Sept